Decoding Zohran Mamdani's Sartorial Statement: The Garment He Wears Tells Us About Modern Manhood and a Changing Society.
Growing up in the British capital during the noughties, I was constantly surrounded by suits. You saw them on businessmen rushing through the Square Mile. They were worn by fathers in the city's great park, kicking footballs in the golden light. At school, a inexpensive grey suit was our mandatory uniform. Historically, the suit has functioned as a uniform of seriousness, signaling authority and performance—qualities I was expected to embrace to become a "man". However, until lately, my generation appeared to wear them less and less, and they had largely disappeared from my consciousness.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a sober black overcoat, crisp white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captivated the public's imagination like no other recent contender for city hall. But whether he was celebrating in a hip-hop club or attending a film premiere, one thing was mostly unchanged: he was almost always in a suit. Loosely tailored, modern with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—well, as typical as it can be for a generation that rarely bothers to wear one.
"This garment is in this weird place," notes style commentator Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the rise of business casual."
"It's basically only worn in the most formal settings: weddings, funerals, and sometimes, legal proceedings," Guy states. "It is like the kimono in Japan," in that it "essentially represents a tradition that has long retreated from daily life." Many politicians "don this attire to say: 'I represent a politician, you can have faith in me. You should support me. I have authority.'" Although the suit has traditionally signaled this, today it performs authority in the attempt of gaining public trust. As Guy clarifies: "Because we are also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of drag, in that it performs masculinity, authority and even proximity to power.
This analysis stayed with me. On the rare occasions I need a suit—for a wedding or formal occasion—I retrieve the one I bought from a Japanese retailer a few years ago. When I first selected it, it made me feel sophisticated and expensive, but its tailored fit now feels outdated. I imagine this sensation will be all too recognizable for numerous people in the diaspora whose parents come from other places, especially developing countries.
Unsurprisingly, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a particular cut can thus define an era—and feel quickly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something likely to be out of fashion within a few seasons. But the attraction, at least in some quarters, persists: in the past year, major retailers report suit sales increasing more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something exceptional."
The Symbolism of a Mid-Market Suit
Mamdani's preferred suit is from a contemporary brand, a European label that sells in a mid-market price bracket. "Mamdani is very much a product of his upbringing," says Guy. "In his thirties, he's not poor but not extremely wealthy." To that end, his moderately-priced suit will appeal to the group most likely to support him: people in their 30s and 40s, university-educated earning professional incomes, often frustrated by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits arguably don't contradict his proposed policies—which include a capping rents, building affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing Suitsupply; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and grew up in that New York real-estate world. A power suit fits seamlessly with that tycoon class, just as more accessible brands fit well with Mamdani's cohort."
The history of suits in politics is extensive and rich: from a well-known leader's "shocking" tan suit to other world leaders and their notably polished, tailored sheen. As one UK leader learned, the suit doesn't just clothe the politician; it has the potential to characterize them.
The Act of Banality and Protective Armor
Perhaps the key is what one academic calls the "performance of ordinariness", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a deliberate modesty, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him appeal to as many voters as possible. However, some think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't neutral; scholars have long noted that its modern roots lie in imperial administration." Some also view it as a form of protective armor: "It is argued that if you're from a minority background, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, perhaps especially to those who might doubt it.
This kind of sartorial "code-switching" is not a recent phenomenon. Even iconic figures previously donned formal Western attire during their formative years. These days, other world leaders have started exchanging their typical military wear for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between belonging and otherness is visible."
The attire Mamdani chooses is highly significant. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to meet what many American voters expect as a marker of leadership," says one expert, while simultaneously needing to navigate carefully by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
But there is an acute awareness of the different rules applied to who wears suits and what is read into it. "This could stem in part from Mamdani being a younger leader, skilled to assume different identities to fit the situation, but it may also be part of his diverse background, where adapting between cultures, customs and clothing styles is typical," it is said. "White males can remain unremarked," but when women and ethnic minorities "attempt to gain the authority that suits represent," they must carefully navigate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between belonging and displacement, insider and outsider, is evident. I know well the discomfort of trying to fit into something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in politics, image is not without meaning.